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    • ISSUE 001_SPRING 2019
      • Ruin Imagery and the Cultural Work It Performs: In Conversation with Dora Apel
      • Political Art as Spectacle: In Conversation with Taylor Aldridge
      • The Heidelberg Project and the Politics of Site-Specificity: In Conversation with Rachel Adams
      • Inclusive and Exclusive Narratives: In Conversation with Juana Williams
      • The Prefigurative Possibilities of the Art Institution: In Conversation with James McAnally
      • Appropriation of Black Tragedy and the Implicit Politics of Aesthetics: In Conversation with Aurella Yussuf
      • Culture as Weapon: In Conversation with Nato Thompson
    • ISSUE 002_SUMMER 2019
      • Is Arts Criticism Inherently Political: In Conversation with Sarah Rose Sharp
      • The Capacity of Art to Change How We Think About Ourselves in the World: In Conversation with Larry Ossei-Mensah
      • The Responsibilities of Curatorial Practice: In Conversation With Laura Mott
      • The Branding of Detroit: In Conversation with Aaron Foley
      • The City as Body: In Conversation with Michael Stone-Richards
      • The Cycles We Go Through as Humans on Earth: In Conversation with Scott Hocking
    • ISSUE 003_FALL 2019
      • Identity, Material, and Culture: In Conversation with Olayami Dabls
      • Toward Becoming More Creative, Conscious, Self-critical, and Politically and Socially Responsible: In Conversation with Christin Lee
      • This Must Be The Place: In Conversation With Ellen Rutt
      • There Is No Neutral Ground Here: In Conversation with Maya Stovall
    • ISSUE 004_WINTER 2020
      • Towards a New Relationship With Black Bodies: In Conversation with Ingrid LaFleur
      • Connecting the Specific to the Universal: In Conversation with Tylonn J. Sawyer
      • The Relationship Between Knowledge and Power in Art History: In Conversation with Samantha Noel
      • Many Speaking to Many: In Conversation with Steve Panton and Matthew Piper
    • ISSUE 005_SPRING 2020
      • Museums Are Not Neutral: In Conversation with LaTanya S. Autry
      • Dance as Social Exploration: In Conversation with Biba Bell
      • Figuring the Subject: In Conversation with Mario Moore
      • The Social Role of Public Art: In Conversation with Richard Wilson
    • ISSUE 006_FALL 2020
      • To Care for the Object: In Conversation with Lauren Jackson Harris
      • Making the Stone Stonier: In Conversation with Osman Khan
      • Undoing “America” as a Way of Seeing: In Conversation with Nicholas Mirzoeff
      • By Teens, For Teens: In Conversation with Morgan Leake and J.J. Thompson of the MOCAD Teen Council
      • Ritual as a Space of Restoration: In Conversation with Cherise Morris
    • ISSUE 007_WINTER 2021
      • Art as a Practice of History, Memory, and Education: In Conversation with Chelsea A. Flowers
      • What Kind of Futures Artworks Open: In Conversation with Boris Groys
      • What is Your Medicine: In Conversation with Sabrina Nelson”
      • What Art Can Be, But Also What Art Can Do: In Conversation with Senghor Reid
      • Making as an Act of Connection to History and Environment: In Conversation with Ryan Standfest
      • Making Way to Visibility and Inclusion: In Conversation with Darryl DeAngelo Terrell
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Interviews

What Art Can Be, But Also What Art Can Do: In Conversation with Senghor Reid

How did you come to start painting? My mother is an artist and my dad was an art ...
Author Danny VanZandtPosted on December 23, 2020December 23, 2020

Art as a Practice of History, Memory, and Education: In Conversation with Chelsea A. Flowers

Author Danny VanZandtPosted on December 20, 2020December 21, 2020

What Kind of Futures Artworks Open: In Conversation with Boris Groys

Author Danny VanZandtPosted on December 20, 2020December 20, 2020

What is Your Medicine: In Conversation with Sabrina Nelson”

Author Danny VanZandtPosted on December 20, 2020December 21, 2020
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